1 thought on “Eastern and Western Jewelry Jewelry Similarly”
Lance
Reasons for the difference between the aesthetic differences of Chinese and Western jewelry:
The geographical environment is one of the basic reasons for the formation of this difference
It as everyone knows, the western civilization is in the Aegean Sea, and the main development It is in the Mediterranean region, so Western civilization can also be called marine civilization. The warm climate of the Mediterranean is very suitable for sailing. Therefore Personality, open and active, full of freshness to the outside world, showing Zhang objects on jewelry, seeking strong results. In contrast, China's geographical environment is much closed. There is no large island adjacent to the mainland outside the coastline on the east. Therefore, there is almost no possibility of going to the sea. The Qinghai -Tibet Plateau is cut off. The only way out of the Silk Road also needs to cross the desert and Dogobe Beach. Therefore, in ancient times, the Chinese people were very embarrassed. Coupled with the vast area of China and rich resources, there is no need to go out. This has formed an introverted national character, which is reflected in jewelry, that is, implicitly without exposure.
This history and politics are also one of the basic reasons for the formation of this difference
In historical reasons, if the entire beating continent is regarded as a group, then it The entire history is the history of conquest and conquest between nations and nations in various countries. When a nation is strong and dominates, its culture and reflecting this cultural carrier will change, or even compulsory. Changes; China is different from Europe, and various dynasties are changing vertically. The soil has not changed much. It is difficult to find frequently in the history of jewelry in China. It is passed down from Chinese culture and has never been interrupted. It is the continuity of this history. It is impossible for China's jewelry to change very sudden changes. From a political reason, most of Chinese history is in a unified state. From the time of the Yellow Emperor's era, it has ruled the world with one person. The unity of the same way is now, but the most essential is the unity of ideological and culture and the unity of ideas.
. Another reason why the Chinese jewelry change is not much because the Chinese are awe of the ancestors. It is easy to change the system set by the predecessors. This is essentially different from Westerners. In the concept, he always tries to deny the predecessors, so he constantly seek new, change, and different, try to use the updated things to overthrow the theory of his predecessors. However, China's traditional concepts are always constantly affirming their predecessors and denying future generations. No matter what you do, you have to see if there is a precedent. Therefore, it is very difficult for Chinese jewelry to make some rapid changes. Therefore,,,,,, therefore Frequent changes like the West, there is no way to accept it from the national nature of China. The nationality of the Chinese determines that the aesthetics of the Chinese is the pursuit of eternal stability. Chinese jewelry does not pay attention to forms. Its connotation is the traditional Confucian culture of China. This inner culture makes Chinese jewelry of Chinese jewelry a strong and harmonious spirit, and it is difficult to be alienated. The style has a strong inner spirit, so it has a strong maintenance force. One of the major differences between the status quo of Chinese jewelry design and other advanced countries is that our understanding of jewelry design is also limited to style design. It is a limited design of existing products. Make the product fundamentally change, and lack awareness of formal design and conceptual design. Modern design is never regarded as technology plus painting, craftsmanship and art as traditional understanding. The meaning of modern jewelry design is deeper. It is a comprehensive and creative design activity covering the aesthetic culture of social aesthetic culture.
It's appearance characteristics: Westerners are more three -dimensional than Chinese external characteristics, Westerners draw sketches, paint oil painting, pay attention to volume, light and shadow, are three -dimensional; Chinese people paint Line drawing, painting country paintings, paying attention to spiritual connotation, paying attention to lines, are plane. It is manifested on jewelry on jewelry. Westerners pay more attention to three -dimensional thinking. The products are more three -dimensional, and they pay attention to the surprising victory of the structure. The concept of the Westerners is different from us. In the face of nature, there is a completely different understanding of life. In Greece, the sun god in the ancient Roman mythology is Apollo, the moon god is Diana, each natural thing has a human look, thinking of nature, thinking of nature , Think of the image of man, in the Bible, God squeezed Adam with soil. The entire universe naturally exists. Although they also think that man is a part of nature, it is the most essential part of nature. Art to express human worship of nature; Pangu of Chinese mythology, lay down after the sky, one eye becomes the sun, the other becomes the moon, the river is his blood vessels, the mountain is his bones, the earth is ups and downs, Vitality, the vitality of people's itself into landscapes, Taoism is the most viewed vitality and creativity from nature to see everything, human law, land, heaven, natural law, and natural law. After a hundred years of changes in modern times, Chinese jewelry is also absorbing some things in the West, but the traditional Chinese spiritual parts have been retained. The use of natural ideas is used in the design of contemporary jewelry.
Reasons for the difference between the aesthetic differences of Chinese and Western jewelry:
The geographical environment is one of the basic reasons for the formation of this difference
It as everyone knows, the western civilization is in the Aegean Sea, and the main development It is in the Mediterranean region, so Western civilization can also be called marine civilization. The warm climate of the Mediterranean is very suitable for sailing. Therefore Personality, open and active, full of freshness to the outside world, showing Zhang objects on jewelry, seeking strong results. In contrast, China's geographical environment is much closed. There is no large island adjacent to the mainland outside the coastline on the east. Therefore, there is almost no possibility of going to the sea. The Qinghai -Tibet Plateau is cut off. The only way out of the Silk Road also needs to cross the desert and Dogobe Beach. Therefore, in ancient times, the Chinese people were very embarrassed. Coupled with the vast area of China and rich resources, there is no need to go out. This has formed an introverted national character, which is reflected in jewelry, that is, implicitly without exposure.
This history and politics are also one of the basic reasons for the formation of this difference
In historical reasons, if the entire beating continent is regarded as a group, then it The entire history is the history of conquest and conquest between nations and nations in various countries. When a nation is strong and dominates, its culture and reflecting this cultural carrier will change, or even compulsory. Changes; China is different from Europe, and various dynasties are changing vertically. The soil has not changed much. It is difficult to find frequently in the history of jewelry in China. It is passed down from Chinese culture and has never been interrupted. It is the continuity of this history. It is impossible for China's jewelry to change very sudden changes. From a political reason, most of Chinese history is in a unified state. From the time of the Yellow Emperor's era, it has ruled the world with one person. The unity of the same way is now, but the most essential is the unity of ideological and culture and the unity of ideas.
. Another reason why the Chinese jewelry change is not much because the Chinese are awe of the ancestors. It is easy to change the system set by the predecessors. This is essentially different from Westerners. In the concept, he always tries to deny the predecessors, so he constantly seek new, change, and different, try to use the updated things to overthrow the theory of his predecessors. However, China's traditional concepts are always constantly affirming their predecessors and denying future generations. No matter what you do, you have to see if there is a precedent. Therefore, it is very difficult for Chinese jewelry to make some rapid changes. Therefore,,,,,, therefore Frequent changes like the West, there is no way to accept it from the national nature of China. The nationality of the Chinese determines that the aesthetics of the Chinese is the pursuit of eternal stability. Chinese jewelry does not pay attention to forms. Its connotation is the traditional Confucian culture of China. This inner culture makes Chinese jewelry of Chinese jewelry a strong and harmonious spirit, and it is difficult to be alienated. The style has a strong inner spirit, so it has a strong maintenance force. One of the major differences between the status quo of Chinese jewelry design and other advanced countries is that our understanding of jewelry design is also limited to style design. It is a limited design of existing products. Make the product fundamentally change, and lack awareness of formal design and conceptual design. Modern design is never regarded as technology plus painting, craftsmanship and art as traditional understanding. The meaning of modern jewelry design is deeper. It is a comprehensive and creative design activity covering the aesthetic culture of social aesthetic culture.
It's appearance characteristics: Westerners are more three -dimensional than Chinese external characteristics, Westerners draw sketches, paint oil painting, pay attention to volume, light and shadow, are three -dimensional; Chinese people paint Line drawing, painting country paintings, paying attention to spiritual connotation, paying attention to lines, are plane. It is manifested on jewelry on jewelry. Westerners pay more attention to three -dimensional thinking. The products are more three -dimensional, and they pay attention to the surprising victory of the structure. The concept of the Westerners is different from us. In the face of nature, there is a completely different understanding of life. In Greece, the sun god in the ancient Roman mythology is Apollo, the moon god is Diana, each natural thing has a human look, thinking of nature, thinking of nature , Think of the image of man, in the Bible, God squeezed Adam with soil. The entire universe naturally exists. Although they also think that man is a part of nature, it is the most essential part of nature. Art to express human worship of nature; Pangu of Chinese mythology, lay down after the sky, one eye becomes the sun, the other becomes the moon, the river is his blood vessels, the mountain is his bones, the earth is ups and downs, Vitality, the vitality of people's itself into landscapes, Taoism is the most viewed vitality and creativity from nature to see everything, human law, land, heaven, natural law, and natural law. After a hundred years of changes in modern times, Chinese jewelry is also absorbing some things in the West, but the traditional Chinese spiritual parts have been retained. The use of natural ideas is used in the design of contemporary jewelry.